DC4
Electric MinistryRecord Label: Metal Blade
Review by Jeff Muendel
December 2011
Review of LA-based band, DC4, and their new album, Electric Ministry.
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CD Review
Record Label: Metal Blade
Review by Jeff Muendel
December 2011
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Record Label: Metal Blade
Review by Jeff Muendel
December 2011
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CD Review
Record Label: Painted Lady Records
Review by John Noyd
December 2011
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Brittany Shane
Loud Nights on a Short StringRecord Label: Painted Lady Records
Review by John Noyd
December 2011
Dancer, teacher, singer, Wisconsin native and Austin by way of San Francisco transplant Brittany Shane continues to make waves wherever she goes. Sharp spurs on well-oiled saddles, “Nights,” alights with succinct winks and sly smiles moving through loose ska-riddled jangle and intricate folk-ballad tapestries dressed in flirty skirts and cowboy boots. A vixen-singing wingman to life’s romantic roadblocks, Brittany coolly refutes opposing views in simple astute rhymes which, casually landing on top of top-notch back-up, brings, String,” sizzling common sense suited to each scene and situation. Recorded over eleven days during a Texas heat wave., the resulting product smolders and sweats without tipping into crazed rage or imbalanced challenges, traveling well-trod paths with subtle updates and hook-rattling passions, fiery pop-rock trots offering cantering life lessons.
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CD Review
Record Label: W.A.R. Productions
Review by Aaron Manogue
November 2011
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Joe Matera
Slave to the FingersRecord Label: W.A.R. Productions
Review by Aaron Manogue
November 2011
I’ve written about his work before and he never ceases to impress. Former Geisha guitarist Joe Matera has finished his latest EP, Slave to the Fingers. Matera’s six-stringed attack features a previously released single “Face Off” which includes winding solos and melodic rhythm and is an excellent showcase of just how talented Matera really is.
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CD Review
Record Label: Gawd Aggie Music
Review by John Noyd
November 2011
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Paul Kelly
Songs from the South: Paul Kelly’s Greatest HitsRecord Label: Gawd Aggie Music
Review by John Noyd
November 2011
It’s hard to imagine after thirty years what Australian singer-songwriter Paul Kelly has left on his bucket list. Song-writer, world-traveler, occasional actor, recent author and crikey folk-poet chronicler of trains, love, cricket, history and gravy, Kelly’s 1997 compilation has just been updated and doubled in size. A muscular busker, kind-hearted huckster and homesick vagabond, Kelly’s tough but tender repertoire employ potent hobo bluegrass, swirling pub-rock blues and electric country-fried soul. Outback rascals, hopeless romantics and crusading criminals buffered in small-town joys and thick-skinned opinions inhabit family scrapbooks, honky-tonk hearts and upstart remarks. Coy references served in soothing cougar growls, “Songs,” showcase a writer’s eye for spirited lyrics, delivering the indescribable in nuance filled with exacting detail, an unblinking witness to foiled fates and unavoidable foibles
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CD Review
Record Label:
Review by Emily Genco
November 2011
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Krown Vega
Dream All EverydayRecord Label:
Review by Emily Genco
November 2011
On their debut album, Dream All Everyday Krown Vega blends the pensiveness of Radiohead with powerful guitars in a throwback to the musical eras Led Zepplin and Pink Floyd. Songs explore themes from living fully to pop culture.
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CD Review
Record Label: Eli Lieb
Review by Emily Genco
October 2011
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Eli Lieb
Eli LiebRecord Label: Eli Lieb
Review by Emily Genco
October 2011
Eli Lieb’s debut album succeeds where many fail. It allows the listener to assume an alternate persona – that of an everyday soldier. Lieb’s music helps audiences experience the quiet solemnity that accompanies coming to terms with life’s daily battles. Lieb released his self-titled and self-produced album on October 25. On it he explores a variety of topics including desire, invisibility, disconnection and betrayal rendering it a highly accessible work for listeners. Lieb’s work straddles the intersection between orchestral instrumentation, club beats and pop vocals.
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