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Top Dead Centre

by Sal Serio
January 2010

TDC is Top Dead Centre from Ontario. Far From Nowhere is the name of their CD. BUT - - all the way to somewhere, and somewhere big, is more like it. These guys have major potential if they can get heard by the right people.

Listen, I can tell right outta the gate that from time to time I’m going to bring up the names of other bands in this review. And I really don’t want to. BUT - - just know going in to this, that if I bring up the name of other bands it’s meant as a pretty big compliment - because I’d compare TDC with bands that I like A-L-O-T.

The interesting thing is, I didn’t immediately gravitate to their record. Rather, it was more like it creeped up on me. Probably at first the musical similarities got in the way. I guess that familiarity with ageless hard rock that I’ve liked from the 70s to the present was a little too safe for me. BUT - - like I say, that was just on the first listen.


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Julian Lennon - photo by Timothy White

Julian Lennon

by Mike Huberty
January 2010

Standing in the shadow of your father is difficult for almost anyone, but particularly if your father was one of the most famous, loved, and respected musicians in the world. JULIAN LENNON achieved fame on his own in the early 1980s’s with the Grammy-nominated platinum album, Valotte. In the ensuing years, he has retired and unretired from the music business several times, sailed around the world, and has ventured into the world of acting and film production. In the Fall of 2009, his childhood friend, Lucy Vodden (on who he based his drawing that would inspire the Beatles’ song, “Lucy In The Sky With Diamonds”) died of lupus and he decided to write a song in her honor and donate the proceeds to research against the disease. This coincided with the launch of his latest project, theRevolution.com, an Internet-based independent record label of which his single is the first release.

“Basically, I got so tired and fed up with the industry as it was being run so many years ago for so many reasons.”, Lennon explains as to why he thought that theRevolution.com was needed.  I just didn’t feel that the artist was getting a fair deal and/or control of their work in any way, shape or form… I believe, of the labels as we know them, they’re very much becoming more like catalog companies just raking in the publishing, etc., from previously signed artists.


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