Tom Fuller Band

To see Tom Fuller today one would never guess that little over ten years ago he was a solid cog in corporate America and had never written a song all the way through. From the streaked mod haircut to the purple granny glasses and matching sneakers Tom Fuller emanates rock and roll. Tamed danger prowling, the glam-punk poise echoing the bigger than life sound of his band a tight group both young and experienced, sharp and dedicated.

Ironically, after talking with Tom for over a half an hour the conversation was less about music than destiny and life’s spiritual journey. Perhaps it’s due to the fact that while Tom is the leader and songwriter for the Tom Fuller Band he is entirely self-taught beyond a few guitar lessons when he was nine. In fact, Tom says he’s a “song-crafter more than a writer.” “I write what I feel; my lyrics are always emotion-based.” His gut instinct guides him and serendipity has brought him an entourage of good fortune. “I know in the first twenty seconds if I’m going to like a song.” Immediate, intuitive and insistent, Tom also knows personalities and opportunities and has learned how to play them both with rock and roll nonchalance.

I Fight Dragons

Bratfest 2009, Saturday May 23rd - stage two, early afternoon; the six-headed monster that is I Fight Dragons grab their joysticks and commence to rock with old school video game samples, digitally modified vocals and fanboy fantasies of conquering worlds and getting all the girls. Smarmy and cynical, IFD’s boyish charms and killer riffs pick a part hearts and kick out the jams. “I just tried to keep the guiding principle that it had to be fun, joyous, and smart,” says lead vocalist Brian Mazzaferri. A glib, gleeful stew of polished geek-pop anthems, old school video gamer gambits and rockin’ smartass scholarship, IFD take their Super Mario soundbites, new wave power-ballad cravings and studio noodling to a whole other level.

Maria Taylor

MARIA TAYLOR has had a full life. A multi-instrumentalist singer-song-writer born into a musical family Maria has been in bands and on the road for over half her life. Her third solo effort, “LadyLuck,” overflows with moving narratives and self-reflective stories. Performing April 21st at Madison’s High Noon Saloon, Maria was kind enough to answer some questions via email.

VO5

To call VO5 a band may be slightly misleading; born four years ago, the nine-member collective is comprised of playwrights, engineers, film-makers, a firefighter and a doctor with musical resumes from Cherry Pop Burlesque to Swim Team and the Merkins. More than dance floor sequins and day-glo flares, VO5’s nostalgia is dipped in twenty-first century irony, their cheesy chic a release valve from reality. Strong with the power of the boogie, amateur ornithologist and band guitarist John Feith says, the band “simply aims to make people dance.”  Vocalist Kelly Murphy says, “Come down to a show and see for yourself.”
MAXIMUM INK: How did the band name come about?
Kelly : We are called VO5 because the world wasn’t quite ready for Nanopussy. 
John: We do still own www.nanopussy.us (try it, type it in…) if anybody is interested in renting that name for a high fee, along with www.boobatron.com
Kelly: The name also serves to call attention to our full, lustrous heads of hair. 

Bellydance Superstars - Petite Jamilla

Petite Jamilla has been belly dancing her entire life, bridging the generation gap between traditional folkloric style and modern belly dance fusion. Studying for over ten years, Jamilla toured the Southeast U.S. at fifteen, a seasoned instructor by seventeen, with two instructional DVDs before she turned twenty. A member of the BELLYDANCE SUPERSTARS for the past three years, Petite Jamilla was kind enough to answer a few questions in anticipation of her troupe’s arrival at Madison’s Union Theater on March 26th.

MAXIMUM INK: What are the biggest misconceptions about belly dance?

PETITE JAMILLA: Due to Hollywoods’ early depictions of ‘belly dancers’ I think the biggest misconception is that belly dance is done for exploitive and seductive reasons, but it really has become a self-exploratory and self-improvement tool for dancers in the U.S.

Duncan Sheik

MAXIMUM INK recently caught up with singer-songwriter Duncan Sheik hoping to break away from the panel discussions at the Sundance Film Festival to take in some snowboarding. Eleven years earlier Sheik found himself navigating an entirely different slippery slope. The single, “Barely Breathing,” from his self-titled debut stayed a record-setting fifty-five weeks on the charts and made him a Grammy-nominated pop star. A role, he admits, he was ill-suited to play.  “Call me lazy,” Sheik says, “but at the end of the day I prefer to be sitting in the audience than performing on stage.” Not satisfied continuing with the personal love songs of his debut, Sheik moved to narrative songs packed with elusive introspection, subtle themes and smart literary devices. At the same time he was feeling he was having less and less of an effect on his audience. Being in the spotlight was just not a natural setting for Sheik and yet his desire to create remained strong.