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Duncan Sheik

by John Noyd
February 2009

MAXIMUM INK recently caught up with singer-songwriter Duncan Sheik hoping to break away from the panel discussions at the Sundance Film Festival to take in some snowboarding. Eleven years earlier Sheik found himself navigating an entirely different slippery slope. The single, “Barely Breathing,” from his self-titled debut stayed a record-setting fifty-five weeks on the charts and made him a Grammy-nominated pop star. A role, he admits, he was ill-suited to play.  “Call me lazy,” Sheik says, “but at the end of the day I prefer to be sitting in the audience than performing on stage.” Not satisfied continuing with the personal love songs of his debut, Sheik moved to narrative songs packed with elusive introspection, subtle themes and smart literary devices. At the same time he was feeling he was having less and less of an effect on his audience. Being in the spotlight was just not a natural setting for Sheik and yet his desire to create remained strong.


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Madison World Music Festival 2008

by John Noyd
September 2008

Spread over two consecutive weekends in mid-September, Madison’s global gathering touches every point on the compass across Madison in every creative fashion imaginable. Syrian singer GAIDA, Indian guitarist PRASANNA and the psychedelic dub of Turkey’s BABA ZULA perform, dance, lead workshops and colorfully flavor UW’s campus, the Annex and the Willy Street Fair.


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Spiritualized

by John Noyd
August 2008

As spokesman and songwriter for Spiritualized, Jason Pierce a.k.a. J. Spaceman, has no answers – which makes for a difficult subject to interview but a great artist to follow. Hard to pin down but happy to chat, a half hour on the phone with him brings a renewed enthusiasm for music’s power. He said, “You need to drag the music you love kicking and screaming into your life.” Believing simple is best and talent may well get in the way of good music, Pierce also claims there is no bag of tricks or formula to what he does. Relying on what he calls, “the meter in my head,” Pierce likes to see where things go in his attempts to write music that, “his band can’t hide behind.”


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Paul Filipowicz

by John Noyd
February 2008

Legendary Wisconsin Bluesman Paul Filipowicz talks about influences, Mongolia and his new album Chickenwire


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Robyn Hitchcock

by John Noyd
December 2007

Robyn Hitchcock arrives November 3rd, 2007 to Madison’s High Noon Saloon, playing solo but carrying overstuffed bags of interesting history. From his post-punk Soft Boys beginnings to a three decade career mixing solo stretches with bands, films, published poems and painting, Robyn is a post-modern Renaissance Man who’s songs and speech dabble in riddles, scribbles, neurosis and culture. The newly minted five CD set, I WANNA GO BACKWARDS bonuses up three of his older solo albums and includes an incredibly strong double CD of rare works. We emailed Robyn to ask about his past and present state of affairs.


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Kristin Hersh

by John Noyd
July 2003

When songs come to Kristin Hersh she has found it best not to ignore them. Fronting rafter-cracking banshee rockers the Throwing Muses, she depended on her muse to provide the band songs. So, even though she made the band a “non-functioning entity” seven years ago, when some songs came to Kristin she couldn’t get a handle on, she packed off the solo demos along with a batch of homemade cookies affectionately known as the Devil’s Feedbag, to Muse bassist Bernard Georges. His solution was obvious. These were band tunes. Thus was born the temporarily reformed Throwing Muses. Uncannily, it came back as it always should have been.  The record was recorded quickly over three weekends while they were still learning their parts. Kristin says the nervous energy had them all on fire and new classics like, “Mercury,” and, “Pandora’s Box,” show her point.  The sessions were planned around the band member’s schedules instead of intruding on pre-existing routines.  Kristin says the main reason she broke up the band was because she couldn’t ask her friends to go through the rigors of holding it all together.  They were no longer teenagers and everyone was looking to settling down.


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