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Mastondon cover art by Ian Chalgren

Mastodon

an Interview with Brann Dailor
by Sal Serio
June 2010

Any metalhead with their ear to the ground is sure to hear the rumbling, gargantuan footsteps of the mighty Mastodon. The densely complex and thought provoking heavy rock of the recent Crack The Skye and Blood Mountain releases have propelled Mastodon out of the underground and onto arena bills and critic’s top lists. I conversed with drummer Brann Dailor in anticipation of their May 18th appearance at the Orpheum Theater in Madison. Mastodon is rounded out by guitarists Bill Kelliher, Brend Hinds, and bass player Troy Sanders.

Maximum Ink:  Has Mastodon been to Madison before?

Brann Dailor:  I’ve been there a bunch of times.

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Minneapolis' The Melismatics on the cover of Maximum Ink for August 2009

The Melismatics


by Joshua Miller
August 2009

With edgy and energetic shows heating up with undiluted charisma and passion, Minneapolis-based rock band The Melismatics pioneer their way ahead with a dynamic, ever-shifting sonic landscape. While the band’s latest and fourth album, “The Acid Test,” touches in 80s new wave and post punk-influenced power pop realms, their sound is constantly growing.

“As the band evolves so do our influences that we focus on,” says singer Ryan Smith, of the band’s four distinctly different albums. “Like the music’s gone over the years I think we go to different places and every song doesn’t sound the same.”

With this attitude, the band’s earned popularity around the Midwest and the country, with several songs being used on several television shows. This includes invitations to play several major festivals like South by Southwest, Lollapalooza and Summerfest. Milwaukee’s hosted a number of their shows and August 15 they add Mad Planet to their venues visited.

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Motley Crue

Motley Crue


by Thom Hazaert
February 2009

In 1981 when an underdog LA Rock band released an independent LP called Too Fast For Love, no one could have predicted that they would follow up with a string of hit albums (Shout At The Devil, Theatre of Pain, Girls, Girls, Girls, and Dr. Feelgood), that would go on to sell over 80 million copies, and, almost singlehandedly, usher in a new era of American Hard Rock.

Nearly 3 decades (of decadence) later, Mötley Crüe is still going strong with their original line-up Vince Neil, Nikki Sixx, Tommy Lee, and Mick Mars- with their latest album The Saints of Los Angeles, debuting at #4 on the Billboard charts and a series of hugely successful “reunion” tours.

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former Milwaukeean now NYC girl Katy Pfaffl on the cover of Maximum Ink in Jan. 2002 - photo by Joshua Silk

Katy Pfaffl


by John Noyd
January 2002

Light grooves and soaring melodies circle and dive with Latin jazz accents, soul throaty climaxes and soft, sophisticated pop. Fluid flowers of pan-global sensitivity blossom into polysyllabic rivers that dance among the keyboards, guitar, hand percussion and bass. Sounds conjuring wide-open spaces find strange bedfellows in Manhattan - a crowded city of subways and skyscrapers, but that is exactly where Katy Pfaffl found her muse - New York, by way of Amsterdam, Cincinnati and Milwaukee.

Born and raised in Milwaukee, Katy was a Sukuzi violin student, competing as a classical pianist before she entered high school. While she feels lucky to have grown up in Milwaukee, she found the city’s arts scene limited and more concerned with stability than change. “I’ve always had many interests and was always told I had to choose only one and commit to it,” she explains, “I believe that if you have a lot of talents and interests then use them all, explore them all so you can keep growing and expanding.”

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Joel Pingitore and the Playground of Sound on the cover of Maximum Ink in March 2009 for MI's 13 Year Anniversary Issue

Joel Pingitore and the Playground of Sound


by Dan Vierck
March 2009

Joel Pingitore isn’t wasting any time. He has been performing with his most recent group, The Playground of Sound, for only six months and they’re already booked and/or played 150+ shows. Besides a weekly show at The Dam Bar in Belleville, WI and a once-a-month visit to Stella’s Speakeasy in Stoughton, WI the band is fresh of a stint of gigs at Bike Week in Daytona Beach. In an e-mail interview Pingitore admitted he wouldn’t mind a show every day.

“Naturally,” He also conceded, “it’d be fantastic to be ‘The Next Big Thing.’” With an energetic six month old band that’s already working on an album and playing outside the state, however fantastic the dream, they seem to be aiming for it. On a more realistic, and partially realized note, Pingitore also said “I’d like to see [the band] as a nationally touring act.”

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Puscifer on the cover of Maximum Ink's 14 year anniversary issue!!

Puscifer


by Andrew Frey
March 2010

Recently I was fortunate enough to talk to Maynard James Keenan and get the down low on his most recent happenings. He may be your rock n’ roll hero from his past projects, Tool and A Perfect Circle, but he has a few new tricks up his sleeve. He would like to introduce you to some new adventures in his well of creativity: Puscifer, and Wine Making.

This is the first of a two-part article that will showcase the interview.

Maximum Ink: What is this Puscifer thing and why should you go see and experience it?
Maynard James Keenan: “Puscifer is a troupe, not a band,” he begins. “It’s a performance not a concert. It has more in common with the “Sonny and Cher Show” and “Hee Haw” than Tool or A Perfect Circle.”

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Ratdog featuring Bob Weir on the cover of Maximum Ink in March 2008

Ratdog

an interview with Bob Weir
by Sarah H. Grant
March 2008

Maggot infested skulls on bony blood-dried bodies, skulking graveyards in midnight mists is how people usually picture the rise of the dead. Bushy-beards and wonky wa-wa waves on a six-string, tie-dye twists and baby boomers lighting up, is however, the reality.

Far from the grave, ex-Grateful Dead frontman Bob Weir and his solo project RatDog, have scoured the sphere, playing over seven hundred shows since 2006. Along with a slew of brilliant musicians such as lead guitarist Mark Karan and keyboardist Jeff Chimenti, RatDog has dug deep into the core of improvisational riffs and melodies, and is safely the most musically comprehensive jam band formed post-sixties. A chunky brew of blues, jazz fusion, progressive bluegrass, and folk, RatDog delivers with an equally diverse palette as the latter day Grateful Dead. Weir channels Garcia in numbers like “Black Muddy River” and “Scarlet Begonias.” Yet the spectacle lies in the audience. The peace-loving, daisy-smelling youth that once swarmed Dead shows have become the stock-broking, suit wearing, SUV-driving dads, moms, and grandparents who come see Bob Weir to remember the days of freedom and hope, if just for a couple songs. 

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