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Robert Randolph & the Family Band on the cover of Maxmum Ink in June 2003

Robert Randolph and the Family Band


by Brett Lemke
February 2003

With the entrancing sound of Robert Randolph’s 13 string Pedal Steel, a brutally tight rhythm section, and a dynamic Hammond organ, Robert Randolph & The Family Band have blasted through the jamband scene. Their combination of Gospel, Blues, and relentless passion explodes with a burning fury onstage. All in all, they justly deserved their recent W.C. Handy award for Best New Artist. “We know what to play when it comes to gospel, and how you’re supposed to play it,” said Robert Randolph during a recent interview with Maximum Ink.

Years spent growing up in church in Orange, New Jersey and staying active in the musical community of his congregation helped 24 year-old Robert develop his skill playing the lap steel guitar. His two cousins, Bassist Danyell Morgan and drummer Marcus Randolph, along with longtime friend/organist John Ginty make the Family Band. “We used to play Ted’s Jam in church all the time,” said Robert, “The music at our church is truly unique. Everybody gets involved. They call it ‘dancing under the holy spirit.’ ”

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Baghdad Scuba Review in Maximum Ink in July 2007

Baghdad Scuba Review


by Rachelle Blair
July 2007

Political revolution through music and a spelling error are just some of the inspiration behind Baghdad Scuba Review.

The six man group got its start when guitarist, vocalist and former member of One Fluid Ounce John Schneider moved to Madison from California and began performing at weekly open mic nights at Pizzaria Uno, 222 W. Gorham St. The band said Schneider developed “comfortableness” with inviting guests and soon guitarist Chad Thompson, drummer Justin Gerstner and bassist Erik Riedasch began sitting in at the shows. Slowly, Riedasch said jam sessions and unrehearsed shows ripened at Mr. Roberts, 2116 Atwood Ave.

“Having no direction or goal we performed under such names as ‘John Schneider and Friends’ or ‘The John Schneider Project’,” Riedasch said.

The members of Baghdad Scuba Review all came from well-known Madison bands. Riedasch and percussionist Rob Bloch came from the band Groovulous Glove, Thompson from Green Situation, Gerstner from The Northern Pines Band and keyboardist Jason Krueger from Runga Kutta. “Since then, we all started taking ourselves a little more seriously, originating with the birth name of BSR, but we’ve never let it go to our heads,” Riedasch said. “I think we all agree that isn’t the objective of this band.  We’ve always had this underlining respect and closeness with each other which is simply not describable.”

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Detroit's Dead String Brothers - photo by Doug Commbe

Dead String Brothers


by Kristen Winiarski
July 2008

Often compared to The Rolling Stones, the group, The Deadstring Brothers, is a mix of Detroit and London with a slight country-rock twang. Although neither of these cities reminds one of country music, the group succeeds in being a blend of country and rock, which is what its founder considers them to be. These two different, yet similar cities, collide together in the members: E. Travis Harrett on drums, Masha Marjieh on baking vocals and percussion, Jeff Cullum on bass and vocals, Pat Kenneally on piano and organ, Spencer Cullum on pedal steel, lap steel, and guitar, and Kurt Marschke on vocals and guitar. I had the opportunity to talk to the last of this list: Kurt Marschke.

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Twin Citie's Down Lo on the cover of Maximum Ink September 2008 - Artwork by Cory Harrison

Down Lo


by Mike Huberty
September 2008

Funky, melodic, and heartfelt, DOWN LO from The Twin Cities is combining traditional (and not so traditional) jam band music with hip-hop and traveling all around the country with their latest record, In Our World. Guitarist and vocalist, Mark Grundhoefer, describes it as “a blend of a number of different genres. Passion’s the name of the game. Bluegrass to reggae, jazz, funk, we try to throw a little bit of everything that influences us in there. Plus, we do a lot of improvisation with jams where each musician steps up to take his role, so we try to keep it interesting that way.”

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Les Paul holding a copy of Maximum Ink backstage at the Iridium Jazz club in New York City - photo by Otto Schamberger

Launchpad

An interview with director and creator of Launchpad Dennis Graham
by Aaron Manogue
January 2011

“Some of the best original music today comes from high school garage bands.” –Les Paul

The Wisconsin School Music Association (WSMA) is about to kick off the seventh year of the one of a kind music competition called Launchpad, using the same idea that the late great Les Paul personified in his quote. Launchpad is a statewide alternative music competition for high school students in bands formed outside of the traditional music classroom. Maximum Ink caught up with director and creator of the competition, Dennis Graham to talk about how the competition got started and where he sees it heading in the coming years.

Maximum Ink: Tell us about how Launchpad got started.

Dennis Graham: I was approached by the WSMA, which presents this program, seven years ago to talk about raising awareness on raising funds for them. As a result of my discussions with Michael George, the current Executive Director of the WSMA, and I brought up a couple ideas and the first was to present a Lifetime Achievement Award to recognize people who had a successful music career and were also impacted by a music teacher. The first ever Lifetime Achievement Award in Wisconsin was given to Les Paul. I hand delivered a letter that I wrote, which was signed by Governor Doyle, to Les inviting him back to Wisconsin (He hadn’t been back in twenty years.) October 27th, 2004 was Les Paul Day in the State of Wisconsin and it was just a marvelous day of honoring him. Steve Miller (Steve Miller Band), Les’ godson, came out and was part of it as well.

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the first Mifflin Street Block Party circa 1969

The Mifflin Street Block Party


by Mike Huberty
April 2010

The University of Wisconsin has traditionally held two giant student parties every year. One is Halloween (where out of town revelers caused so many problems, it evolved into Freak Fest, still a good party but one that turns State Street into a demilitarized zone each year) and the other is the Mifflin Street Block Party. Started in 1969 as a reaction to the Vietnam War (the event that seems to loom over every student activity or university story from that decade), the party has been an annual tradition some times at odds with the city and some times with the city’s blessing. After a long time of relative peace, in 1996, drunken and foolish partygoers decided to attack a fire truck that came to put out a bonfire started in the middle of the street. Next thing you know, there’s riot gear, people are screaming bloody murder, and lots and lots of arrests are made. Needless to say, the 1997 party was kind of a drag. But the fest has continued in the ensuing years, and now local music promoters DCNY PRO, Madison natives and longtime Mifflin Street attendees, David Coleman and Ny Bass, have taken the bull by the horns. They spearheaded the party in 2009 to one of its most successful years. On the fortieth anniversary of the festival and even with over fifteen-thousand people in attendance, arrests were down from the year before and in 2010, they’re bringing more changes to make it a friendlier and safer place.

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Ted Nugent

Ted Nugent

An interview with Guitarist/Wildman Ted Nugent
by Aaron Manogue
September 2011

Over the past fifty years, there have been literally hundreds of thousands of bands and musicians in the business. There have been some successful bands, some not so successful and a very select few that have become icons of rock n’ roll. Out of all of the musicians and bands there have been, there is only one Ted Nugent. In the past 50 years, Ted Nugent has done things that most musicians could only ever dream of, including setting attendance records at venues worldwide in 2005 and ‘06, was the top grossing act in the world in 1977, ‘78 & ‘79, and has sold over 30 million records worldwide. His number one weapon, while on stage at least, is his trademark Gibson Byrdland. Some of his most famous riffs, and it just so happens some of rock n’ rolls most recognizable riffs, were written by him on this guitar.

“The mighty Gibson Byrdland guitar is a magical piece of American craftsman artwork that has a musical voice all its own. A beast of an instrument that was created to provide a limitless pallet for creative sonic bombast and musical adventure that called my name from the very 1st time I witnessed its power in the hands of Jimmy McCarty of Mitch Ryder and the Detroit Wheels way back around 1961. This custom guitar is capable of more sounds than a normal human being is capable of dreaming of. But since I am not a normal human being, our love affair continues to produce soul cleansing and crotch inspiring sounds and love songs for the masses,” Nugent said.

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