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That One Guy on the cover of Maximum Ink in May 2008

That 1 Guy


by Andrew Frey
May 2008

The world of one man bands is an eclectic and beguiling one indeed. In the past, they have been a whirlwind of instruments strapped to a person’s body with arms and legs quivering and flailing to produce rhythms and sounds that forged into music. That 1 Guy (aka Mike Silverman) is a one man band for the cyber age. His hands, arms and feet are strumming, plucking, smacking and caressing his unique instrument dubbed, “The Magic Pipe” while inserting in clever sound snippets and samples. It is a sight to behold!
I caught That 1 Guy’s last tour through Madison at the Annex and had a blast. It is a unique, absurd and elegant performance.

Recently I managed to squeeze in an e-mail interview with the man behind the GUY. He’s a busy guy. In fact due to an unexplained delay with the e-mail interview, I thought I had lost my interview possibility. He begins by recanting, “So sorry to be M.I.A.  I jumped out of my last tour into a very intense recording project that finished yesterday.”

Since his music is created via his own concocted instruments, I decided to start off by having him describe the focal point of his stage show and musical production, The Magic Pipe.

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Jentri Collelo

Jentri Colello


by Dan Vierck
August 2008

Jentri Colello could fool anyone. The band has been together for less than two years, this incarnation for less than six months, and the lead singer and initial song writer, Jentri Colello has only been playing slightly longer than the band has been together. Regardless, Colello is as confident on stage with her songs as any pro, having survived a weekly spot at the Local Tavern for some time and backed by a band of two long-time friends who have been playing since birth.

Colello is quick to clarify that this is not a solo singer songwriter operation with a backing band. “I’ll play [what I’ve been working on] probably halfway through and they’ll jump in and do whatever. It’s really relaxed. I prefer not too give them any guidelines because I think the best part about playing with other people is seeing how they hear it and then seeing how they manipulate it.”

Her name, it seems, was simply the best name they could find. “We were originally playing under a band name and the guys said, ‘Your name is kind of a cool name, it kind of sounds like a band name anyway, lets just play under that.’ I could really care less, but at the same time, I was a little bit apprehensive because as soon as people hear just a name think it’s just another singer-songwriter, they’re not going to bother. They [the band] have so much say in how the songs are completed. I really, really hate taking anymore credit than they do.”

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All Girl Summer Fun Band in Maximum Ink in September 2003 - photo by Michael Lavine

All Girl Summer Fun Band


by David A. Kulczyk
September 2003

This year, one of the best CDs of all time, “2” by Portland’s All Girl Summer Fun Band, was released on K Records and in a great feat of resolve, I drove 140 miles, first stopping in San Francisco to pick up my friend Gray Six and then to San Jose to my cousin Dan ‘s place.  Dan then drove to Los Gatos, where at an all ages club nestled in a lush park in the Santa Cruz Mountains to see “The All Girl Summer Fun Band” who by all accounts was the best live band in the world that day.

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The German Art Students, who aren't really German art students at all, hail from Madison, Wisconsin

The German Art Students


by David A. Kulczyk
March 2003

The German Art Students are in a time vortex and they are happy about it. Formed in the summer of 1997 by Kirk Wall and Andy Larson and joined by Annelies Howell and Randy Ballwahn the next year, GAS detained the 80’s sound of their college when every city had it’s own sound and you risked getting attacked by rednecks and frat boys for not looking like them.  People like The German Art Students fought for your look and so it is their prerogative to play like it’s still 1984.

Over the years they have gather much press and praise and in 2001 they were one of the top 50 finalists for the Coca-Cola New Music Award presented by the American Music Awards and sponsored by CMJ. Rock and Roll legend Dick Clark personally gave them a listen.  They’ve also gotten some great opening slots for Half Japanese, The Poster Children, Jonathon Richman, Gigolo Aunts, House of Large Sizes and The Returnables.  With the press drooling over their latest CD, “Kissing by the Superconductor,” and performing like the early The Who in just about every municipality, burb and metropolis between Chicago and Brainard, MN a lot has been written about the German Art Students but here are some things that you didn’t know.

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Madison's Good Time Camper

Good Time Camper


by Dan Vierck
July 2008

We didn’t discuss it specifically, but the more and more I talked to Good Time Camper about their menagerie of sounds it became clear that the foursome is a condensed version of a group not unlike Scooby, Shaggy and the Gang, except that in the case of GTC, instead of solving mysteries, their sound is the mystery.

Patrick Sweeney, the easy Freddy of the group, brings the songs. Then the pieces are created layer by layer with the aid of the other three. Rounding out the parallel, bassist Sean Ellis runs the Shaggy route being aloof but always in the middle of the action, drummer Jamie Zander, the Scooby, brings the smile and the comic relief which leaves (sorry, dude) guitarist Adam Ginsberg to be Velma, with the fantastic guitar science into the chemistry.

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Madison's Blueheels

Blueheels


by Mike Huberty
December 2008

With an Americana sound that varies from alt-country to rock n’ roll to indie rock, Madison-based band Blueheels sound perfectly modern and vintage at the same time. The band has two recordings under their belt (2006’s Long Gone and Lessons in Sunday Driving released in April of 2008), a live album soon to come, and a third studio record in the works. They seem to be keeping themselves busy creatively, while also keeping a regular and extensive performing schedule.

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Madison's acoustic outfit Fermata

Fermata


by Andrew Frey
January 2009

The band Fermata evokes a forgotten gothic era.  An era with a certain raw, earthy melancholy atmosphere permeating all it contacts. Upon consumption of their potent sonic brew, the listener is whisked off to a musical merry-go-round of passion and excitement. Vocal visions are painted for our ears to hear and see. As the visions clear, we find that these spellbinding tales are spoken through the various physical and musical voices of a far flung ensemble from Madison, WI.

After witnessing Fermata’s performance on Dec 15 at High Noon Saloon, time was set aside to find out more about this band. Now, through the modern marvel of e-mail, we have been granted a view into the workings of that which is Fermata.

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