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Tesla on the cover of Maximum Ink July 2007

Tesla


by Paul Gargano
July 2007

An interview with members of Sacramento’s legendary Tesla

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Nevada Backwards on the cover of Maximum Ink in May 2003

Nevada Backwards


by Brett Lemke
May 2003

Nevada Backwards are the hellbillys from Sacramento, California. A quartet of acoustic musicians, their sound is an amalgam of alt-punk and jamband bluegrass. Acoustic to Nevada Backwards, however, does not mean quiet. Their tortured sandpaper vocals and driving mandolin/banjo overtones fill each room with primordial savagery.

Brian Ballantine takes care of the vocals and guitar, Keith Lionetti plays upright bass, Troy Kimura bangs a ¾ size drum set, and Mick Stevenson plays mandolin, banjo, and acoustic guitar. “We’re totally unplugged,” says guitar/singer Brian Ballantine, “That’s it. It’s the only way that it can be done.”

In their spare time the four operate Tortellinni in Sacramento, a printing press and studio where they lease practice space to bands and musicians in the area. They work with each other and they are in a band together. “We have some practice space, and we’re releasing a CD on our own label,” says Keith. If this is in any way reflective of their personalities, then that to me is an assurance is that they won’t break up due to an ego issue.

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Jackie Green on the cover of Maximum Ink in August 2003

Jackie Greene


by David A. Kulczyk
August 2003

Jackie Greene has often been called an overnight sensation, but his overnight success took six years. “I don’t want to say that I’ve paid my dues, but I kind of have,” said Greene.  “I’ve played since I was 16 in stupid little clubs, just myself, and got paid shit to do it. I had to go outside on breaks because I wasn’t 21.”

Now 22, Jackie started playing piano when he was very young, took a few lessons, but eventually quit and taught himself. Then, after a Metallica-Guns and Roses-Nirvana preteen stage, he started listening to the Rolling Stones, Led Zeppelin and The Beatles .  Working his way backwards, he went through his parent’s record collection and discovered Ray Charles, Muddy Waters and Mississippi John Hurt. His life changed completely. He dove into American roots music and never looked back. Inspired by Tom Waits and Bob Dylan, Greene decided to start writing his own material. 

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