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Anna Wang and the Oh Boys - Madison, Wisconsin - photo by Nick Berard

Anna Wang and The Oh Boys!

An interview with Madison's Anna Wang from Anna Wang and The Oh Boys!
by Mike Huberty
January 2012

With one foot in bubblegum and one foot in rock, ANNA WANG AND THE OH BOYS! is unabashed good-time music, straightforward, fun, and deliriously catchy. Lead vocalist and songwriter, Anna Wang, is a recent graduate from the University of Wisconsin and ready to take on the world with her “Oh Boys”- bassist Jeff Funk, guitarist Jeremy Van Mill, and (not so boyish) Nicky Sund on drums. They’re celebrating the release of a brand new EP, Drive Fast (currently available for listening on their website, www.annawangandtheohboys.com), with a big party at The Frequency in Madison on February 3rd.

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Czech Republic's Plastic People of the Universe to play the Madison World Music festival

Madison World Music Festival 2008


by John Noyd
September 2008

Spread over two consecutive weekends in mid-September, Madison’s global gathering touches every point on the compass across Madison in every creative fashion imaginable. Syrian singer GAIDA, Indian guitarist PRASANNA and the psychedelic dub of Turkey’s BABA ZULA perform, dance, lead workshops and colorfully flavor UW’s campus, the Annex and the Willy Street Fair.

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White Zombie

White Zombie


by Mike Huberty
December 2008

Formed in the mid-80’s in New York City, White Zombie would become one of the most popular metal acts through the 90’s. Their sound was heavy but with a groove and songs inspired from horror authors like Richard Matheson (I Am Legend) to classic muscle cars and cult films like Blade Runner and Night of the Living Dead. Their most visible member, Rob Zombie (Robert Cummings, Jr.), was not only a musician, but a filmmaker as well, who over the course of the past two decades would go from directing the band’s videos to being a sought-after horror movie director in Hollywood. Even though the band has been broken up for over a decade, Rob went through the entirety of their old recordings and came up with a new boxed set called Let Sleeping Corpses Lie which is a five-disc collection of everything the band recorded.

You can tell Rob Zombie gets asked about a White Zombie reunion all the time because the first thing he says is how the set has a perfect title, “it’s pretty self-explanatory because I didn’t want everybody to think the box set was the beginning of something. I wanted everyone to realize it was the end of something… I am not big on revisiting the past. I like to move forward all the time. So whenever anything else would come up, this would go in the backburner. I had a little bit of window, and just knocked it out. And I also figured that, if not now, when? By waiting longer, CDs aren’t even going to exist, so there will be no box sets.” 

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Rick Wakeman and Jon Anderson

Anderson And Wakeman Start Tour In Milwaukee

Anderson And Wakeman Start tour In Milwaukee
by Gregory Harutunian
October 2011

    It finally happened. Jon Anderson and Rick Wakeman are bringing their duo show to the United States for an abbreviated tour this fall, which kicks off at 8:00 p.m. Oct. 19, in all of all places…Milwaukee. The northern Lights Theater At Potawatomi Casino is playing host to a program that stateside fans of the former Yes frontman and keyboardist have presented to U.K. audiences in 2006, and last year, coinciding with the release fo their CD, “The Living Tree.”

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Vocalist/Guitarist Wayne Static

Wayne Static

An Interview with Vocalist/Guitarist Wayne Static
by Aaron Manogue
October 2011

There have been very few voices and guitar riffs that have been as noticeable as Wayne Static’s signature metal howl and “evil disco” sound in the past few decades. He has mashed and molded a unique combination of hardcore metal with industrial sounds dashed with a side of disco to form a brand that has sold thousands worldwide. Now that Static-X is on an indefinite hiatus, Wayne is back at it, doing it solo but still bringing the signature sound to rape and pillage your ear drums. Maximum Ink’s Aaron Manogue sat down with Wayne Static to talk about his new solo album Pighammer, his favorite music he listens to and his pyshco dog Brutus that would protect his wife and himself, in case of a zombie apocalypse.

Maximum Ink: Talk to me a little bit about where the name Pighammer came from for your latest solo album?
Wayne Static: It’s kind of just a word that popped in my head years ago and I’ve wanted to use for something for a long time. I finally figured out we’d call the solo record Pighammer and me and my wife had a good time thinking of what Pighammer means. At first, we were going to say it was a sexual position, but we thought that might be too much for the kids. So we came up with this whole story about the mad plastic surgeon with this big hammer tool that he uses to change women into pigs. That kind of went along with the whole lyrical theme of the record too, which is transformation.

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W.A.S.P. - artwork by Ian Chalgren

W.A.S.P.


by Jeff Muendel
February 2010

Those who have encountered the band W.A.S.P. are not likely to forget the experience. Like them or hate them, their stage antics tend to be memorable. The group almost literally clawed their way out of the early eighties Los Angeles heavy metal scene the same fertile ground that produced the likes of Mötley Crüe, L.A. Guns, and Ratt. These groups paved the way for many more hair bands to come, but W.A.S.P. was a little bit different. While many of the other groups from that era focused on a cross-dressing, bad-boy image, W.A.S.P. was just plain twisted and scary; the group was more Alice Cooper than Rolling Stones. Band members had circular saws sewn into the crotch of their trousers. Raw meat was cut up and thrown into the audience. Blood was a common stage prop. All of this accompanied aggressively sexual lyrics, buzz saw guitar riffs, and pumping double-bass drums.

At the heart of the group, then and now, was Blackie Lawless. In fact, he is the only remaining original member, and for all intents and purposes, W.A.S.P. is his artistic vehicle. Lawless was born Steven Duren on Staten Island, New York. Famously, or perhaps infamously, he got his first break playing with the legendary New York Dolls. The group was in its final death throes, but it introduced Lawless to New York Doll’s guitarist Arthur Kane. After the New York Dolls finally split, Lawless followed Kane to Los Angeles.

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Max Ward in his 20's

Max Ward

Maximum Ink's namesake
by Dan Bullock
April 2011

It has been 15 years since Max Ward’s own voice fell silent, but his passion lives on thru those he taught, befriended, and whose lives he touched.  Max did not live or teach by the boundaries of a certain genre, age, or musical taste and it showed by the diverse and talented performers that are grateful to have worked with him. Some of the names and groups on his roster include Willy Porter, Bradley Fish, Bob Westfall, Juli Hinds (Magic 98), Common Faces (Asa), Reptile Palace Orchestra (Anna), Rok Sally and Mission Blue (Dan and Mike), Jerry Pero (Bounty Hunter Music), and more. From the spoken word, to gospel, to country, to hard rock, Max found a way to connect to all people and improve their potential and performance.

When asked about Max, Willy Porter said, “He was easily one of the greatest teachers I have ever come across in any discipline. He was able to focus immediately on what I was doing well, and help me find more range, depth of tone and dynamic range without straining physically. He talked about how the character of the singer’s voice defines the meaning of the lyric and thus the song— simple stuff, yet infinitely Zen. He taught me things I’ll work on for the rest of my life. I miss him very much.”  Willy’s comments are a true testament to Max’s ability to hold the line on the classical and technical elements of singing, but harvest the unique character within each voice.

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