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Jesse Sykes and the Sweet Hereafter on the cover of Maximum Ink in April 2005

Jessie Sykes and the Sweet Hereafter


by David A. Kulczyk
April 2005

Ever since two cavemen started beating sticks on hollow logs it has apparently been the goal of musicians to be louder. Symphony orchestras, Celtic, Polka, bluegrass, country, rock and roll and sometimes-even jazz, strive to amp up the volume. Now I love nothing better than to have my eardrums blown out by great live music, but not long ago I found myself on a road, miles from any sign of human inhabitation. I stopped my car and stepped outside. The quietness was deafening. A rushing white noise, phase shifted through my ears, like the beginning of some bad rock song from the 1970’s, but after a few minutes I started picking out the chirping of birds and insects. A minute later I could hear the leaves of trees rustling in the slight breeze. I was amazed at the complex audio beauty of a seemingly silence place. The same thing happened to me the first time I saw Jesse Sykes and the Sweet Hereafter. There are few bands in the world as quiet as Jesse Sykes and the Sweet Hereafter. You can literally hear a beer glass fall on the floor while they are performing.

Fresh off a twenty-day tour of 2,000 seat theaters opening for Bright Eyes, Jesse Sykes and the Sweet Hereafter is hitting the road again. Their latest CD, “Oh My Girl” on Barsuk Records has been selling steadily and has landed on the Best of 2004 lists by such notable publications as the New York Times, The L.A. Weekly, Harp and Maximum Ink.  The band isn’t resting on its laurels.  “When you get home from a tour,” said Jesse, “it’s like, what do I do?”

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Judas Priest on the cover of Maximum Ink in August 2004 - photo by Craig Gieck

Judas Priest


by Jeff Muendel
August 2004

In 1969, while hippies pranced about the farm fields of Woodstock, New York with flowers in their hair, Birmingham, England was giving birth to a monstrous new musical genre that came to be known as heavy metal. A group called Black Sabbath released its first album that year, and while others both in the United States and England were flirting with the heavier side of rock ‘n’ roll, it was that band that nailed metal squarely between the eyes.

Five years later, Birmingham’s fertile musical loins produced another heavy metal monster, one that came to rise just as high as the first, and perhaps, at times, was even more nimble. The vocals soared over others, the songs galloped faster, and two lead guitarists were used rather than one. That band was Judas Priest.

Amazingly, both Birmingham groups have reformed after varying hiatuses and are touring together this summer with Ozzfest, still playing the aggressive, distortion-heavy songs they wrote decades ago in front of fanatical, sellout crowds around the world. Recently, Rob Halford, the outspoken lead singer of Judas Priest, was kind enough to talk with Maximum Ink about his recently reunited band as well as the resulting tour and musical releases.

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Joan Osborne on the cover of Maximum Ink in May 1996 - photo by Dave Leucinger

Joan Osborne


by Dave Leucinger
May 1996

If God were one of us, and his tour of duty brought him to Milwaukee, it’s a safe bet that he’d fill more seats than Joan Osborne did at the Modjeska Theater. Not as safe a bet is whether he’d be able to sing as well.

With five Grammy nominations under her belt, the question wasn’t if Osborne would sell out the 1,800 seat Modjeska, it was how quickly. Imagine the surprise when hundreds of tickets remained minutes before the Kentucky native took the stage May 11. The crowd was sparse – you could walk to within ten feet of the stage without a problem – but its diversity read like an open book on Osborne’s critically-acclaimed major-label debut, Relish.

There were the pop fans, weaned on the radio friendly “one of Us;” the music fans attracted to the show by Osborne’s endearing spirit and warm, folkish charm; and those that fell in between, more than willing to bask in the glow of songs that aren’t motivated by anger and rage.

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Madison's Robert J on the cover of Maximum Ink in June 2008

Robert J


by Kristen Winiarski
June 2008

A man who simply goes by “Robert J” fronts the band The Rowdy Prairie Dogs who jam on the Potawatomi Stage at Summerfest on its concluding day, Sunday, July 6 at noon. I had the opportunity to talk with this man who has been through so much just in the last year: dealing with a heart attack, forming a new band, and now, preparing to play Summerfest next month. When asked about the festival, Robert J said, “I’ve played there [Summerfest] about 6 or 7 times, mostly with the Moon Gypsies, I played with a band called Howlin’ at the Moon…I’m always excited to play Summerfest; it’s a big party.”

Robert J got started in the music industry at a young age, playing the guitar when he was just two years old. He is a guitarist and singer, but most of all a songwriter. When asked how he got started in the music industry, it was obvious it was a long effort, “Ohhhhh okay, actually I graduated from college and I had been playing in bands in Detroit. And I jumped in the band van and moved to Colorado in a van.  I had been playing a little bit, but that was pretty much when I decided okay, I’m just going to go be a musician for a while.” When he jumped into this van, he was also jumping into the band Happy Trails, merely one of about 20 bands that Robert J has been a part of.

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Marilyn Manson to Rob Zombie, guitarist John 5

John 5


by Kimberly E. McDaniel
December 2007

John 5 is a musician’s musician.  Currently on tour with Rob Zombie, John has played with everyone from k.d. lang to Meat Loaf to Marilyn Manson as well as releasing his many instrumental solo albums. He is known for playing country music as he is shredding with metal bands, and is currently up for two nominations at Guitarworld.com.

The band is now touring with Ozzy Osbourne, in support of the new “ Zombie-Live! ” CD.  In the midst of this tour, John took a few minutes to talk with us at Maximum Ink about his vast body of work and what we can expect from him in the future.

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John 5

John 5


by Tina Hall
August 2010

John 5 is best known for his work as former guitarist for Marilyn Manson and also as guitarist for Rob Zombie. He has one of the most impressive resumes in rock having working with artists like, K.D Lang, Lita Ford, Meatloaf, David Lee Roth, Salt-N-Pepa, and Lynyrd Skynyrd. His latest solo effort is titled “The Art of Malice.” I sat down with him recently to talk music and what he would most like to do otherwise.

Maximum Ink: If you dont mind asking, how did the stage name John 5 come about?
John 5: I became John 5 when I joined Marilyn Manson.He dubbed me that because I was the 5th member to join the group, and yeah, it does have a biblical reference too.

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Jethro Tull

Jethro Tull


by Justin Beckner
June 2010

Jethro Tull has tiptoed behind the scenes of mainstream rock music for almost 50 years. They brought an element of class and sophistication to popular music and won over their audiences with witty lyrics and an original sound that blended elements of nearly every style of music. Throughout the years they dared to be different and became something great. The following is an interview with charismatic frontman, Ian Anderson.

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